Falling Rocket: James Whistler, John Ruskin, and the Battle for Modern Art
Falling Rocket: James Whistler, John Ruskin, and the Battle for Modern Art - Hardback is backordered and will ship as soon as it is back in stock.
Care information
Care information
Display general product information or specific product information using metafields.
Delivery and Shipping
Delivery and Shipping
Add some general information about your delivery and shipping policies.
Falling Rocket: James Whistler, John Ruskin, and the Battle for Modern Art - Hardback is backordered and will ship as soon as it is back in stock.
Highlight title
Text to highlight a key feature of your product
Description
Description
The untold story of the artistic battle between James Abbot MacNeill Whistler and John Ruskin over Whistler’s controversial, ground-breaking Nocturne in Black and Gold: The Falling Rocket.In November 1878, America’s greatest painter sued England’s greatest critic for a bad review. The painter won—but ruined himself in the process. The painter: James Abbot MacNeill Whistler, whose combination of incredible talent, unflagging energy, and relentless self-promotion had by that time brought him to the very edge of artistic preeminence. The critic: John Ruskin, Slade Professor of Art at Oxford University, whose four-decades’ worth of prolific and highly respected literary output on aesthetics had made him England’s unchallenged and seemingly unchallengeable arbiter of art. Though Whistler and Ruskin both lived in London and moved in the same artistic world, they had, until June, 1877, managed to remain entirely clear of one another. This was unusual because Whistler had a mercurial temperament, a belligerent personality, and seemed to thrive on opposition: he once challenged a man to a duel because the man accused the painter of sleeping with his wife. (Whistler had, in fact, slept with the man’s wife.) That November, John Ruskin walked into the Grosvenor Gallery’s new exhibition of art and gazed with horror upon Whistler’s Nocturne in Black and Gold: The Falling Rocket. The painting was Whistler’s interpretation of a fireworks display at a local pleasure garden. But to Ruskin it was nothing more than a chaotic, incomprehensible mess of bright spots upon dark masses: not art but its antithesis—a disturbing and disgusting assault upon everything he had ever written or taught on the subject. He quickly channeled that anger into a seething review. The internationally-reported, widely discussed, and hugely-entertaining trial that followed was a titanic battle between the opposing ideas and ideals of two larger-than-life personalities. For these two protagonists, Whistler v Ru
Payment & Security
Payment methods
Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.
Product features
Use this section to highlight specific product features to your customers.
Product comparison grid
Add content here to explain a bit about the range of products on offer and which ones may be most suitable for your customers.

